Showing posts with label Alhambra. Show all posts
Showing posts with label Alhambra. Show all posts

Sunday, 30 October 2011

Local Greens

For a long time we've wanted to get one of those veg boxes that gets delivered to you once a week, full of seasonal veg locally sourced from a nearby farm. The problem with the service provided by Abel & Cole and such companies, is that when you live in a block of flats in London, there is just nowhere for them to leave the box during the day, even if you trust your neighbours. A few years back, Tescos introduced one which we got a few times - but though it was convenient (delivered in the evenings alongside your weekly shopping), it was disappointing as most of the veg seemed to be flown or shipped in from somewhere far away, so was hardly supporting local farmers. We stopped that pretty quickly - and we can't have been the only ones, as I think they quietly adandoned it...

So imagine our delight when on a recent wander through Herne Hill we discovered a new local initiative called Local Greens, run by a small group of local ladies, supplying weekly bags of seasonal veg sourced from small and organic farms as close as possible to this part of London. Instead of delivering it to you at home, the bags are left at several local collection points and you go along on a Thursday evening after work to pick it up. And when we saw they were about to institute the Brockwell Lido Café as one of the collection points, which is at most a 10 minute walk from us through Brockwell Park, we signed up!

We're still getting into the swing of figuring out what to do with unusual vegetables (ideas for celeriac anyone?), mostly because this has been an unusually busy month for us - with me in Houston, back for a few days before going to Granada (see below), then back for a few days before K went off to Paris for a conference... But today I have been trying to catch up a bit. The clocks went back this morning so it has been the usual slightly odd, jetlaggy kind of day when it feels later than it is, so what better than to spend the afternoon cooking. I have made some stock out of a couple of chicken carcases that we had kept in the freezer, and have roasted the beetroot that came with the veg bag, and tomorrow night we will have borscht for supper. Since my cold-addled brain (I came down with a really nasty one this week and even took time off work, which I hardly ever do) mistook a freezer tub of egg whites for something else, and therefore defrosted it, I have made meringues too!!

Yes, I spent last weekend in Granada, attending the opening of the exhibition 'Owen Jones y la Alhambra', which I co-curated. The exhibition design looks fantastic, and it was just wonderful to think of Owen Jones and his work 'coming back' to the place that so inspired him in the 1830s... A really happy weekend.

Sunday, 6 February 2011

Joyreading

The cuts imposed by the coalition government have resulted in many local councils planning to cut library resources, and appallingly over 400 local libraries are now threatened with closure. Yesterday was 'Save our Libraries' day with protests and Shhh-ins (!) going on all across the UK. In solidarity we took ourselves off to the British Library, where I felt more than ever what an amazing privilege it is to be able to consult the material there.

This time, I was reading the manuscripts! I called up some of the volumes of the Layard papers - the enormous accumulated correspondence of Sir Austen Henry Layard (1817-94), discoverer of Nineveh and distinguished diplomat in Her Majesty's government. The first letter I looked at was from Henry Cole thanking Layard for the offer to source reproductions of Italian sculpture for the South Kensington Museum; the second was from the Earl of Clarendon offering Layard the position of ambassador to Spain! I think about the third or fourth letter was from Gladstone, another from the designer of the Albert Memorial seeking to ask Layard's opinion - at that time Commissioner of Works - on the monument's orientation! I flicked through these volumes increasingly amazed at the worthies of the Victorian age whose handwriting was passing beneath my gaze... I could have lost myself for hours just dipping in and out of this correspondence which I am sure sheds amazing light on the international political and cultural concerns of the times.

I was looking at these to read the correspondence from Rafael Contreras, the restorer of the Alhambra from 1847 to his death in 1890, which was addressed to Layard between 1870 and 1873 while he was ambassador in Madrid. He was there until 1877 but the letters stop in 1873, I'm not sure why. Though Contreras has been little studied, he has gained the reputation of defacing the monument rather than protecting it, of having an unscientific approach informed by Orientalism. Reading his increasingly plaintive letters, I developed quite a lot of sympathy for him - he was clearly passionate about saving the Alhambra for the nation and about the important discoveries he believed he was making. There aren't many letters and they don't say all that much, but they show the difficulties he was facing in terms of lack of funding for his restorations and the criminal unconcern of the local authorities for the building. It was a difficult time in Spain, with the Carlist insurrections, and he is obviously sorely touched by this - including the imprisonment of some of the Carlistas in the Torre de la Vela. Amazing to see his handwriting and his signature for the first time - which in the earlier letters has a rather pompous flourish, and by the last letters seems rather careworn, spattered with ink splodges.

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After the library, we went to see The Painter, a new play about Turner by Rebecca Lenkiewicz at the Arcola Theatre. They have just moved to a new location and it's a great warehousey kind of space, and it was a nice production, but alas not a great play. It just couldn't decide what it was about - his art? the origin of his genius? his relationships? his mad mother in the attic? We couldn't help comparing it unfavourably with Red. But Toby Jones as Turner was really good, and we'll go and see other things there as it was nicely done.

Sunday, 31 October 2010

Spanish conversation

Life - which is to say, work - has rather got in the way of blogging over the last couple of months. Since getting back to work after my long summer break, it seems busier than ever, with more to be done by fewer people, and an air of uncertainty underlying everything, with cuts cuts cuts the only thing being discussed - in the media and in people's daily lives. "Keep calm and carry on" seems a useful motto, as always. That resolution - of getting my work/life balance under better control - has not so far materialised.

I had a nice trip to Granada last week, to attend the meeting of a collaborative research project with the Alhambra which we're now engaged in. The weather was gorgeous - 23°C on Sunday! - but cold in the mornings and evenings, or if you stepped into the shade. It was an intense course in Spanish conversation, which did me a lot of good. I had that experience which I have always admired in friends for whom English is not their first language - like when Silvia and Rosa came here for dinner at the start of October, two Italians researching aspects of Italian-Islamic artistic encounter whom I wanted to introduce to each other. Of course we all spoke English, but when I stepped out of the room, and came back in a few minutes later, they were still speaking English to each other. Or when, in Berlin in January, I went out for dinner with some German colleagues from the Islamic museum, who were all still conversing in English when I got back from a trip to the loo. In this case, I was in Granada with a Spanish colleague from work, and a French colleague from the Louvre whom I know well, and with both of them I normally speak English - but because the lingua franca of our project meetings was Spanish, we continued to speak Spanish at the end of the day when out for dinner, and when I bumped into the French colleague, Sophie, on Sunday morning, having a coffee in a bar on the Plaza Nueva, we conversed in Spanish, because it felt odd to switch to English. How funny.

An interesting trip, as well, for understanding something about the internal politics of Spanish academia - sad, though, that in a city as small as Granada, with so many important groups of people who are experts in their own ways in local Islamic cultural history, that they should all be competing with each other, rather than working together to form a powerhouse of academic study in this area. They share information with us, as outsiders, but not with each other. It was good, though, to understand for the first time that I am not the only one who feels the tyranny of a certain couple, who seem to want to control what anyone anywhere says about Nasrid art history, by pillorying anyone who dares to express a theory different from one of theirs. Good, also, to understand that there are people within Granada who do not believe that their work is gospel any more. It gives me renewed hope for the new generation of upcoming Spanish scholars in the Islamic field, as well as a sense of reassurance that if one of this couple slates my book in a review - which I feel is fairly likely, especially since the Spanish translation is about to be launched - that not many people will pay them much attention.

There is not much other news, or what there is, is too boring to go into. I am giving a lecture tomorrow evening - the first in a while - so my time and thoughts over the last few days have been focused on that. It is on my book, a sort of promotional event which I had to organise for myself, since my publishers aren't doing anything. Compared to the publishers of the Spanish edition who have just invited me to participate in a launch event in Spain in the New Year! Anyway. I've been collecting book sightings - it's been spotted in the bookshops at the Metropolitan Museum in New York, and the American University in Cairo. It was in the Alhambra bookshops, and will hopefully be more prominently placed when the Spanish translation is out. (And a nice little plug for that came out recently in Granada Hoy, though with quite a few mistakes!)

But the best book-related anecdote so far is that a work colleague took a copy to present as a gift to the Sultan of Sharjah on a recent business trip, only to be told, "I've already got that! My daughter gave it to me!" So the Sultan of Sharjah has a copy of my book! The best book-related comment I've had is from the great professor of Islamic art, Robert Hillenbrand - chatting to him after his recent Islamic Art Circle lecture, someone asked us what was the book we were talking about, and Robert said - "Islamic Arts from Spain. You'd think, all the old chestnuts... But there is not a chestnut in sight!" I took that as high praise indeed.

The clocks went back this morning so now I have that strange feeling of my body-clock being out of kilter with what the clock on the wall says. Now begins the winter.

Sunday, 26 September 2010

Three nights in the Sublime Porte

as the Venetians used to call Istanbul...

View over the Bosphorus towards the Yeni Cami (New Mosque)

I had the great fortune to be invited to join the RCA History of Design MA course trip to Istanbul earlier this week - they had booked to go in April, but due to the Icelandic volcano had to reschedule for now, which meant that some of the students could no longer come on the trip, though it was all paid for, so they had some extra places. I wasn't going to pass up the chance for a free trip to Istanbul, even if I did have to take annual leave!

The only time I have been before was, I think, 18 or so years ago, in a former life, when I was a Classicist - Richard and I went to do the British School at Athens Summer School, which was fantastic though I only vaguely remember it, and afterwards we took a bus to Istanbul, via a short stopover in Thessaloniki. Richard promptly got food poisoning (some dodgy prawns in a restaurant overlooking the Bosphorus) and I spent most of the 3 days we were there wandering around on my own, but not wanting to go too far afield since I was young and this was my first experience of the 'exotic' Middle East. Thinking about that on this trip, in light of all the other places I have travelled to since, which actually are in the Middle East, this former self seemed terribly naive. Nevertheless I had vivid memories of having visited Topkapi, and the Museum of Turkish and Islamic Arts - it may even have been this trip that solidified my interest in Islamic Art, who knows.

So it was a great opportunity to go back, albeit for another fleeting visit, as an Islamic art historian who actually knew a little bit about what she was looking at. Though I tried to impress on my colleagues, the course tutors, that Ottoman architecture was not my area, and I was there as just as much of a student as they. That didn't stop them from asking me questions about every conceivable aspect of Islamic culture and civilisation, some of which I could answer, most of which I couldn't.

But it was wonderful to go back and see again the major monuments - Aya Sofya, the Blue Mosque, Topkapi - and to visit places I had not seen before, like the jewel-like Rustem Pasha Mosque, a small monument perched above shops and completely lined with colourful Iznik tilework. I had a long list of places I would have liked to visit as well if I had had more time, and I tried to go to some of them, but a lot of places on the cultural map of Istanbul were closed for restoration projects. Istanbul is the European Capital of Culture this year, which means an injection of EU funds for restoration projects that are clearly direly needed - but a shame these projects were not finished in time for the launch of the Capital of Culture. We all agreed we needed to go back - but need to give enough time for all these restorations to finish.

One lucky thing - they have just taken down the scaffolding in Aya Sofya, which for the last 17 years has been supporting the miraculous central dome, while they carried out restoration and conservation of the paintings. Thing is, last time I went was before the scaffolding even went up, so I am fortunate enough never have had to visit Aya Sofya in its scaffolded phase!

What was awful, though, was the vast crowds of tourists, all in enormous tour groups which get bussed in from wherever they're staying and then bussed out again, without putting any money into the local economy. It's cruise season apparently so you can have upto 3000 people from a single cruise ship suddenly turning up in the queue for Aya Sofya or Topkapi. It really did make the experience of trying to squeeze your way around these awe-inspiring monuments tiresome in the extreme. Not only that, but it can't be good for the preservation of the buildings. At the Alhambra they have a cap on the number of tickets that they sell every day, and if you're unlucky enough to get there after they've sold out for the day, you don't get in. But there seems to be no such regulation at the major Istanbul monuments, so they have streams of thousands passing through every day. In the small spaces of the Harem in Topkapi, people were clambering over marble fireplaces and fountains just to get round the other tourists blocking their way. Horrible.

But I think my overriding impression of this trip is that Istanbul is Europe. Compared to the other parts of the Middle East I have travelled to in the last 18 years, everything about Istanbul feels European - especially of course the Istiklal Caddesi, the main shopping drag leading up to Taksim Square, which is where the Europeans used to have their embassies in the 19th and 20th centuries (some still do), and built historicist buildings in the styles then popular in more western parts of Europe, but also used innovative styles like Art Nouveau - we stumbled upon the delapidated Botter House, which was rather a treasure, though no-one is looking after it. Marta felt like she had been transported back to southern Italy. I still got chatted up in the Spice Souk ("You want a boyfriend for 3 days?" Ugh) but - I tried to tell myself - there are lecherous men in abundance in Europe, it is not a Middle East-specific nuisance.

So - up with Turkey joining the EU, I say!

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18 years since I went to Istanbul last. Yikes. These are the kinds of things that make you start to feel old. It is 10 years ago since I got back from my doctoral research year in Madrid! I timed my return to Oxford in order to attend Bev & James's wedding - so that means it's their 10th anniversary on Thursday! (Congrats guys!!) K and I moved into our mostly unfurnished bedsit on St Clement's the day before I think, and I quite clearly remember: a) having to take a bath with no hot water, and b) K burning toast - as we rushed to get ready for their wedding...

Not only that - generation-defining icons like Twin Peaks is 20 years old (such clear memories of obsessively swapping notes with Ali the morning after, during double Geography lessons at school), and Back to the Future is 25 years old!! They're about to show an anniversary screening at the Ritzy! I wonder how it will have aged...

More prosaicly, last week I had my 8th anniversary in my job. I only remembered as I was walking out at the end of the day!

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So we've got Ed as new leader of the Labour party. Good. It seems only now that he's been elected - despite the small margin - that commentators are noticing what was clear to all: that he is suitably untainted by association with either Blair or Brown, unlike the other frontrunners. We all want a change. Still, there has been some witty commentary on the two Miliband brothers running against each other - 'Milidum and Milidee' being the best I think (courtesy of Jim Crace in the Guardian), though 'Milibandwagon' always amuses too.

Friday, 26 February 2010

Trois jours en Paris

Phew. February. Glad that's (nearly) over. We've all been working like crazy people preparing to install the Ceramics Study Galleries (26,000 objects in visible storage!!), which finally actually begins on Monday. I didn't think I'd be saying this but I might be just about ready. I'm the first to install - weird to think that one of the Middle Eastern pots I put in on Monday will be the first object in those new dense displays, where the intention is they will remain for several decades. So the most important thing to ponder over this weekend is which object it should be...

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The highlight of the last few weeks, however, was our long weekend in Paris last weekend - for our (14th!!) anniversary. We booked Eurostar tickets months ago when there was a half price offer, and both took Friday off work, got a breakfast-time train, and sailed off through the French countryside... Trains really are the only way to travel - especially if they are fast and efficient like the few European high speed lines I've travelled on. Our train left on the dot. Alas, we ran into a security alert on the way back, which meant a horrendous queue to check in, and the train leaving an hour later than scheduled - but it could have been worse: I have just seen that the passengers who left on the train before ours (also delayed) had to endure the additional nightmare of their train breaking down in the tunnel outside Ashford and then sitting in the dark for two hours until another train turned up to rescue them! Apparently our train bypassed theirs! I had no idea - poor people...

Paris is just so beautiful. There really is just no place like it. It was an extra special treat for K who - unbelievably - had not been there for about 10 years. Not since we used to go and visit my aunt and uncle and cousins, who were living and working there for a few years, at Christmas times. Happy memories of their wonderful, typically Parisienne house in Le Vesinet; the night it snowed and fell so heavily that it woke K up... I have had the fortune to go to Paris a few times since then, on courier trips or research visits, so as always it was a treat to go, but it was extra to see it through K's excitement.

We stayed near the Palais Royal and just walked everywhere. That's what you have to do in Paris - it's an important part of soaking up the atmosphere and the architecture. Flaneant, indeed - though sadly we couldn't put our hands on that wonderful book by Edmund White (The Flâneur: A Stroll through the Paradoxes of Paris) which is obviously one of the books currently lodged in K's parents' attic...

I had stayed in this area before, near the Galérie Véro-Dodat (built 1826), and had noticed a lovely looking restaurant which only seemed to be open at lunchtimes, when I was working, so we headed straight there after dumping our bag at the hotel, and jumped straight into a wonderful French food experience. Not only that but completely unexpectedly the ceiling was covered in anaglyptic (embossed) wallpaper in the Alhambra style, which must have been up there since the late 19th century! I was very chuffed at such a fortuitous find.

Anaglyptic wallpaper was popular in the late 19th century, especially among those who wanted to create rich interiors decorated in the revivalist styles that were en vogue at that time - the decoration of the Alhambra being one of the most widespread of these international historicist styles.

The Galérie Véro-Dodat (named for the two men who built it, in 1826). It's one of the few surviving commercial passages in Paris - one of the best preserved too, I think, since it seems to have all the original shop fronts and many of their signs. The tables you can see about halfway down are outside the restaurant where we had lunch.

From there we wandered around the Marais, meandering along to the Place des Vosges, taking in the various gorgeous 16th-century hôtels and modern boutiques along the way. Dinner in the atmospheric Coude à Coude on Rue St Honoré where they squeeze you in "elbow to elbow". For the rest of the weekend, we went medieval - though K was a little surprised (I think) to discover he is no longer a 'proper' medievalist: nearly 4 hours in the Musée de Cluny, and he was disappointed that there wasn't more 16th-century stuff! He still managed to take about 10,000 photographs though.

One of the amazing windows at Sainte Chappelle. It is a relatively small space and was absolutely packed with tour parties, which completely removed any sense of awe or tranquility at being in the space. Every now and again some laconic guard would ssssssshhh!!!! everyone, until the chatter inevitably started up again. It was a little bit like being in the Sistine Chapel - not an experience I enjoyed very much the last time I went.

We did the main churches of medieval Paris - Sainte Chappelle, with its truly stunning stained glass windows, though the apse was behind some rather unattractive hoardings while they do a big restoration project on the glass and lead fittings; Notre Dame, where they were conducting a mass confirmation service for all the parishes in Paris (it seemed), so it was crowded and full of buzz and activity; St Germain des Pres, which has rather suffered from over heavy restoration and repainting in the 19th century; and Saint Denis, the royal pantheon - where K was happy to discover more 16th-century tomb sculpture than is reasonable in a church. But it was the site and excuse for another fine culinary experience - at the extremely elegant Mets du Roy, facing on to the square in front of the basilica. Expensive but amazing beef fillet.

I have always thought that going away for a long weekend like that in the middle of a busy work period would be exhausting - but, on the contrary, it was invigorating and relaxing, because there was so much to see and think about, that I spent very little time at all thinking or worrying about work. So more city breaks - that's the resolution. Especially to cities we can get to on the train. We're thinking Bruges next.

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In Paris we also took a holiday from K's enforced giving up of meat for Lent - only partly because France is, I think, officially the worst place in the world to be a vegetarian. Since getting back, though, he has been strictly enforcing this new regime. Even fish is off the menu. Practically, from a shopping and cooking point of view, it is easiest if we do this together - but I told him I couldn't guarantee that I wouldn't eat meat at lunch times. But so far I haven't and I am not missing it. Though I did join some colleagues for dinner at China City after the SOAS Islamic art research seminar yesterday evening, and I could not resist the prawns...

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I have not posted the calendar image for this month, since it is one you have seen before - something that might become a common occurrence, since the pictures we have selected for the calendar are some of the iconic images of last year, many of which I have already shared here. This month the image is the Natural History Museum in the heavy snow of last February - something which seemed magically rare when I wrote about it at the time, but which has been repeated this year, almost ad infinitum. When it first snowed, early on in the New Year, people were off work and schools were closed and fun and toboganning was had in the streets... But after weeks of the big chill, even the school kids didn't seem to care much for snowball fights any more.

It has been absolutely freezing, though in London in the last couple of days it has started to get milder. Cycling through Battersea Park on the way to work yesterday morning, I was suddenly assaulted by an amazing scent, and then I noticed a huge carpet of crocuses, all about to burst into bloom. How wonderful if spring was actually on the way!

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I finished reading the 900-page-long book - Neal Stephenson's Quicksilver, the first trilogy-in-one of his Baroque Cycle. It's a fictionalised and partly fantastical historical novel about Europe during the 17th century, woven around Natural Philosophy and the Royal Society (appropriate in its 350th year), the rise and fall of kings, money, commerce, pirates, Puritans, brilliantly and amusingly written... I had nothing better to read so I carried straight on to the next volume, The Confusion - 800 pages this time. There is another one after that too. These may be the only books I read all year! But I'm completely sucked in. Highly recommended reading.

Tuesday, 8 December 2009

One that didn't win the Turner Prize...


I haven't been along to Tate Britain yet to see the Turner Prize show, but reading about Richard Wright's piece - a gold leaf abstract fresco on the gallery wall, which will get painted over at the end of the show - certainly makes me want to. There is something wonderful about the fact that the fundamental reason the judges all gave for selecting it as the winner was that it is beautiful.

One of the artists that didn't win last night was Roger Hiorns, creator of a rather amazing installation in a derelict council flat in Elephant and Castle, which we popped down to see a couple of Sundays back, in the pouring rain. This piece is called Seizure, and you can read more about it here. I have also posted my photographs of it on our Flickr site - it's worth a look (apologies, the picture link to my photostream doesn't seem to be working at the moment...).

The flat was turned into a watertight tank and 75,000 litres of super-saturated copper sulphate solution was pumped into it through holes in the ceiling. This was then left to cool and crystallise over the next two and a half weeks, and then they broke into it and pumped out the remaining solution. When you first visited, back in 2008, you were given wellies and rubber gloves since the crystals were still wet. When we went round the other week, we were told not to lick our fingers after touching the crystals, since it was poisonous! A little boy going round with his father earnestly said, "Daddy, will you remind me if I forget?", to which his father replied, "But if you forget, it will be too late!" Oh dear...

Every surface - originally the floor as well, even the old bath - is encrusted with large jagged crystals in this ethereally or supernaturally deep blue colour. It's quite stunning when you're cocooned in there. And perhaps because I had been there so recently, at one point I had an overriding sensation of being in the Alhambra... That sensation of every surface covered in glittering ornament, that you just can't take in in one go - you have to sit and be and absorb it gradually, in an almost spiritual way... Originally the plaster decoration of the Alhambra's walls would have been coloured in deep primaries - gold, red ... and blue.

And like Richard Wright's work, this amazing idea will be destroyed. The council block it's housed in is scheduled for demolition at some point in the New Year. In fact, it should have already gone by now, but the credit crunch stalled the developers. Lack of money combined with artistic creativity? Isn't that always the way?!

If you want to pop along and see it before 3 January, details are on the Artangel site.

Sunday, 29 November 2009

Hello and goodbye, November!

The minaret/bell tower of the Great Mosque of Cordoba, by night

It’s a whole month since my last posting. Two days after that, I went to Spain for a week. I try to go at least once a year – to keep the language skills ticking over, and also to catch up with the recent research that those prolific Spaniards publish, and which can be so hard to find or find out about over here; sometimes you can’t even track them down outside the particular region of Spain where the book or periodical was published. This time I was mainly in Córdoba – so wonderful to spend a whole week there – with a lightning visit to Granada tacked on the end, to see the current exhibition at the Alhambra on Washington Irving, the American writer who first popularised the monument and its charms for the Anglophone world, through the publication of his Tales from the Alhambra in 1832. This year marks the 150th anniversary of his death.

The primary reason for the visit was to attend the conference, “‘And diverse are their hues’: Color [it was an American-organised affair] in Islamic art and culture”. This was organised by the Qatar-based campus of the Virginia Commonwealth University, and as such was an extremely lavish affair, with receptions, three-course dinners and lunches laid on free of charge for the attendees – of which I think there were about 400!! It was completely dry, not just as a result of the Qatar Foundation’s sponsorship, but apparently also because American universities will not pay to provide alcohol at their events, especially if students are present. The Spaniards were utterly bemused by this, and the only table with a bottle of wine on it at the dinner after the opening reception was that of the Mayor of Córdoba and dignitaries of Córdoba University. Many conference attendees were seen slipping away to the bar before (and during!) dinner…

I did not have much luck with flights on this trip. Since it is not possible to fly direct from London to either Córdoba or Granada (except, it seems, on very specific and unhelpful days for Granada), I had to fly to Madrid and make carefully calibrated onward travel arrangements. These did not allow for much leeway if there were delays. Which there were, both ways. I had booked a train (the marvellous AVE) from Madrid to Córdoba, but the flight from London was delayed by two hours, because the passenger manifest did not match up with the number of people physically on the plane. There were two extra people, and the flight crew kept checking and rechecking everyone’s boarding passes, and occasionally calling out particular names and asking those passengers to make themselves known. Both the names of the extra people on the plane were called out various times, but they did not identify themselves. Eventually one of them was found during one of the passport/boarding card checks, and they asked him if he knew the other person whose name they had been calling out. He denied it. After another round of checks, this other person was found to be sitting next to him. They had checked in, but somehow got onto the plane without having their boarding cards checked. Finally, the plane started to taxi to the runway, then it stopped for a while, and then it turned back to the stand! Some transport officials got on and took these guys off the flight. The captain explained it all afterwards, and said he was uneasy about the situation and did not want to take off with them on board – in case it was deliberately dodgy and not just a case of stupidity, I suppose. I spent most of the flight worrying that I wouldn’t make it to Atocha station in time to catch my train, and in the end we landed half an hour before the train was due to leave – it normally takes 45 minutes to get there on the Metro! I ran out of the airport and straight to the front of the taxi queue, and the wonderful taxi driver zipped through the Madrid roads (it was a Monday lunchtime so not too busy, fortunately) so that I arrived in Atocha just as they were boarding my train!

So against all the odds, I made it to Córdoba – in time to attend the conference’s opening ceremony – and I had a fantastically productive week. I felt so intellectually engaged! I took with me a bunch of photocopied articles, an article I have in progress, a chapter and an article of Glaire’s which she had asked me to read and comment on… and I got through them all, in fact I didn’t want to read anything else! I took the new Carlos Ruiz Zafón book with me (The Angel’s Game) and I didn’t start reading it until a couple of nights before I was due to leave. Another reason for the trip was to see the newly-opened museum and visitor centre at Madinat al-Zahra – which is absolutely state-of-the-art and fantastic, such a treat to have all that material on display properly for the first time! – and also to start to ease my brain back into the subject of my PhD thesis, already more than seven years old, since I want to think about finally publishing it next year. One of the best things about the trip was meeting the archaeologist of the Great Mosque of Córdoba, whose articles I had read but whom I had never met, and going around and even underneath the mosque with him!


We literally climbed down a rickety ladder through a hole in the floor near the cathedral, while tourists peered down on us through the grate – after we had parted, I was sitting on a bench furiously writing up the notes from our conversation, when a group of Spanish tourists came over to me and asked me what was down there! This was the site of an archaeological excavation they had done several years ago, at the junction between the original eastern façade of the old mosque, and the extension which was constructed all along it by al-Mansur, regent of the Umayyad caliphs at the turn of the 10th/11th centuries, and subject of my doctoral research. This excavation goes all the way down to the 8th-century street! This originally ran alongside the length of the eastern façade (as the street today runs along the side of the mosque), but had to be filled in up to a height of about 4 m, in order to level the land before laying the foundations for al-Mansur’s enormous mosque extension. It was just fantastic to see, and what a privilege. All the finds from this excavation have been surveyed and drawn, but inexplicably, the archaeologist told me that there is no local interest to publish it, and while it is all currently held in the Cathedral archive, it cannot be consulted there, because it is not published!! When we parted, he asked me if I thought there was any chance of having this important material published in England – so at some point I might try to follow up on this…

On the way back from Spain – having got efficiently and uneventfully to Granada on the bus – I had a flight from Granada to Madrid, with a gap of two hours to get to my onward flight to London, but though I was at the airport in plenty of time, my flight was, of course, late. There was no explanation for this, nor any actual acknowledgement that it was in fact late, so no apology either. The flight landed 40 minutes late, but then it took another 40 minutes for the baggage to come out on the carousel – again, there was no explanation or apology, and the staff at the Iberia desk very unhelpfully just told us to wait. By the time I saw my suitcase, I was very anxious about catching my onward flight, since I had to change terminals – from the swanky new Richard Rogers terminals, to the old terminal building (which I knew so well from the year I lived in Madrid), which now operates as Terminal 1. I tried to run for a taxi again, but was told that I could not take a taxi between terminals and had no choice but to get the shuttle bus. Of course I had just missed one, had to wait 10 minutes for the next one to arrive, and then of course it went to every other terminal before Terminal 1. By the time I had run the length of the concourse to the EasyJet check-in desks, they had closed the flight, and would not make an exception for me. This has to be the first time I have ever known an EasyJet flight to take off on time.

Ridiculously, two flights left simultaneously for Gatwick and Luton, and unbelievably these were the last flights to London from any of the Barajas terminals. I had no choice but to change my ticket to a flight the next morning, but the EasyJet office could do nothing until the flight had actually taken off, so I just had to wait, doing nothing in the airport, watching my flight leave. It was extremely frustrating. Airport information were able to find me a relatively cheap place to stay near the airport, since the first flight the next morning was due to take off at 7.30, and I didn’t want to miss it! Unfortunately, the hotel did not serve food, and though they ordered me a pizza, it never arrived! Feeling very annoyed and sorry for myself, I had a fitful night’s sleep, but caught my flight uneventfully the next morning, and went straight into work. The trip was extremely rewarding and productive, but I have decided that travelling by plane is too stressful and I am happy not to have to do it for a while!

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The week I went to Córdoba, my sister went to visit her friend Will in North Uist, to get away from it all for her birthday, having just left her extremely frustrating and stressful job. By the time I got back from Spain, she had decided to move there! This was not an out-of-the-blue decision – it’s something she had been meaning to do for a while, and in fact she had a job interview in Glasgow on the way to Uist… But while she was up there, she heard of a flat available and decided to just go for it. I basically got back from Spain in time for her leaving party! I’m really proud of and happy for her, but I miss her loads too.

Holidays in North Uist next year, if she’s still there, which hopefully she will be!! I have been listening a lot to the CDs we bought on Harris in the summer – Julie Fowlis and Kathleen MacInnes – which really transport me back to the gorgeous landscape and intense feeling of wellbeing and relaxation we experienced on holiday up there. Which, now that I have to commute on the tube again, is no bad thing.

She wants the space to write, and to make ends meet through freelance editing work, which is busy finishing her training in. For her birthday present, I had reconditioned my old iBook for her, so she had a laptop. It’s about 8 years old, so doesn’t have a lot of memory, and won’t even mount the external hard drive I bought for her for back ups, so it’s practically useless, but hopefully it will tide her over until she can afford something more up-to-date. The space bar on the old keyboard had got stuck – it had lost its bounce basically – and I did not know where to get this fixed. I took it into an Apple retailer and repair shop on High Street Kensington, who told me I would have to have the whole keyboard replaced, which I was not prepared to do; and then a friend told me about a little hole-in-the-wall place by Goodge Street station, who fixed it without fuss, and also upgraded the operating system. Long live boffins and computer geeks, that’s what I say!

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I also got back from Spain in time to attend the next meeting of Lambeth Council’s Planning Committee – you will recall that in September, our Residents’ Association successfully argued for a delay to the Lambeth College redevelopment, on the site next to our block of flats, pending a site visit by all the necessary parties involved in making this decision. Astonishingly, this had never been done, and no-one involved in pushing this decision through the Planning Committee had seemed all that fussed about the opinions or the quality of life of the residents of Brixton Hill Court. The site visit was announced at very short notice, as was the Planning Committee meeting – one might be forgiven, I think, for wondering whether they were trying to push it through without more fuss from our Residents’ Association… However, they found out, and in time to pull some new statements together, and we all trooped down again to Lambeth Town Hall, the night after I got back from Spain.

Again, we’d been warned that the Planning Committee was minded to approve the application, and that our stand was more symbolic than anything. But amazingly, the wonderful Tory councillor who had argued for our cause before did so vociferously again – he has attended the site visit, and said this had made him even more amazed that such a big building could be contemplated on the neighbouring site, since it would really cut off our light and views and privacy. The mood in the room was going against approving the application, though at one point it seemed as if the unpleasant Chair might overrule the other councillors and push it through. It came to a vote, and a voice from one of the members of the public at the other side of the room was heard to say – “Sling it aaaaaaat!” (This guy turned out to be something of a nutter – as we were all leaving afterwards, he pulled K to one side and advised him to buy a recording device, since the councillors were all corrupt and could not be trusted to represent the discussions accurately in their minutes…) In the end, and much to our amazement, the application was basically rejected – or the Lambeth College officials present were informed that the building in its current configuration would not be approved, and they had to drastically rethink it before resubmitting their site redevelopment plan.

I think the phrase is a Pyrrhic victory, though that might be overstating it. Basically, we were of course delighted with this outcome – and with the continued success of our great reps from the Residents’ Association (K being one of them, you’ll remember) – but we also want Lambeth College to have the chance to redevelop its site. The Chancellor commented to Angela as we were gathering in front of the Town Hall afterwards – “You’ll be going home happier than we are”. We went to the pub to celebrate, but we await the next phase in this saga with some trepidation. Let’s hope it’s not worse.

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I have just read Hilary Mantel’s Wolf Hall, and it was absolutely fantastic. A Tudor historian friend-of-a-friend is apparently disgusted by how inaccurate it is, but I couldn’t care less. Everyone knows the story (it’s about the rise of Thomas Cromwell, during the era that sees the fall of Cardinal Wolsey, the divorce from Katherine of Aragon, the rise of Anne Boleyn and Thomas Cranmer, the break with Rome, the fall of Thomas More), and the point of this book is not to retell it in the format of ‘just another historical novel’. It is so beautifully written, and it made me realise that what the historical fiction genre is lacking is this kind of lyrical writing. Hilary Mantel might be the only person doing this. It’s a literary novel that just happens to be set in the past. But its historical setting is very impressionistic – you don’t read this book to find out how Thomas Cromwell rose to be the most important man in the State after Henry VIII. You read it for its fantastic use of language and the conception of Cromwell’s interior world.

This sentence is deservedly being used a lot in all the blurb about the book:
“Lock Cromwell in a deep dungeon in the morning”, says Thomas More, “and when you come back that night he’ll be sitting on a plush cushion eating larks’ tongues, and all the gaolers will owe him...”
I am also very happy to say that Wolf Hall has finally dispelled the bitter taste left in my mouth by the Shardlake novels of C J Sansom. I read the third of these while on holiday in Harris, and really wish I hadn’t. They’re badly written, overlong, and just plain boring. I have given him three out of four tries, but now I definitively give up on them. I cannot see why they are so highly regarded.

As the Economist review (Oct 10th-16th) put it, Ms Mantel eschews “cod Tudor dialogue … going for direct modern English. Her best novel yet”.

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Waterwheels and the Mosque of Nur al-Din, Hama, Syria © MRO

Exactly a year ago I was in Syria, looking after our Masterpieces of World Ceramics exhibition (amazing to see the same objects now permanently fixed in the timeline of world ceramics in our fantastic new Ceramics Galleries). During the two days off I had from Eid al-Adha – the three or four day holiday that occurs at the end of the pilgrimage to Mecca (the Hajj), which all my Syrian acquaintances likened to the Christmas break in the West – I hired a driver, and went on a wonderfully memorable trip to Krak des Chevaliers, the stunning Crusader castle in the fertile north of Syria. I wrote a bit about this trip in this posting. I stayed overnight in Hama, a small town on the Orontes river that is well-known for its waterwheels. We arrived there just as it was getting dark, and stayed in a lovely atmospheric hotel just outside the main part of the city, whose name I now cannot recall – though there was a very cute ginger kitten who climbed up my arm, I seem to remember!

My driver dropped me off in the town centre and then went off to stay with friends or family for the night, and I had a really atmospheric wander along the banks of the Orontes. I took this photo of the waterwheels and the 12th-century mosque of Nur al-Din from the bridge which crosses from one side of the river to the next, before diving into the network of medieval streets that meander around the back of the mosque. In my mind, I will always see Hama at night. It will be a surprise if I ever go back during the daytime!

This is our calendar picture for this month. We have been very organised this year, and have just ordered and even received our new calendar for 2010, so we can actually start writing in the nice things we have booked over the next few months – such as a long weekend in Paris for our 14th anniversary in February! So these happy reminiscences of high points of the last year will continue into 2010… Which is scarily imminent – I can’t wait for our two-week break at Christmas and New Year (we are heading for our cottage in St Ives again this year, and I just cannot wait) but there is still so much to do in the next month… Eeek!

Monday, 4 May 2009

Spring Cleaning!

Hard to believe, as housework is probably the Thing I Hate Above All Else, but gently over the course of the last week we've been having a clear-out and a clean-up - K has gone through all the clothes in his wardrobe and binned or charity shopped about half, and I actually hoovered the flat (well, Dysoned, to be strictly accurate) on Saturday morning. It is one of the few activities in life where you see immediate results - not that this makes me want to do it any more often, but it is rather satisfying when you do. I picked up a fridge magnet somewhere a few years ago, which says - "Dull women have immaculate houses". I immediately connected with this concept, and the magnet is still going strong, stuck to the boiler! Anyway the weather has certainly been springy, so it is obviously something in the air - but it still hasn't made me want to clean the oven...

We've been relaxing over this May Day bank holiday weekend - K has a week off work now, spending some of the time off in lieu that he has accrued on the Henry VIII project. I decided to relax too, though the last week's work has not been exactly rigorous, and I have not got very far at all with Chapter 4 - quite a lot of urgent last-minute sorting of papers and "I had just better read this one last article..." Anyway I have to pull my finger out and really get into it this week, since it is now MAY and I suddenly only have a month of research leave left, which is somewhat terrifying, considering how much there still is to do - and who knows how much reworking to accommodate my readers' comments...

Anyway, we're relaxing today. We have been very fortunate to be invited round to friends' houses every day this long weekend, so we have eaten some very fine meals, and had some very fine conversation, and a very nice time all round! Lunch on Saturday with Kirstin in Pilgrims' Cloisters, the always unexpectedly gorgeous oasis of Victorian residential architecture which is the only remotely old thing still standing in a sea of tower-block estates in Camberwell... Yesterday in Guildford, with Alison and Steve, meeting Nate for the first time (though I can't believe he is already 8 months' old!) and being introduced to the world of Rainbow Magic books which Ellie and her 4-year-old friends absolutely love! There are nearly 80 of these books, and there's a fairy for everything you could possibly conceive of in life - from Alice the Tennis Fairy, to Tasha the Tap Dance fairy (this was the first one I read to Ellie, so will always hold a special place in my heart!) I was amazed - something about these books utterly mesmerised little Ellie... Whoever came up with this idea is clearly raking it in!!

Today we had lunch with Cornelius in Kennington (I do like it when we can travel to and from friends' places just on the bus), followed by a film at the Ritzy. We often go and see films with Cornelius, and it's really nice as a way to see things you would not otherwise think to go to. We suggested State of Play, he suggested Let the Right One In - which I have to say I knew very little about but had gathered that it involved vampires and was, according to the poster, a "chilling fairytale", which was enough to put me off wanting to see it, and avoiding reading any reviews. Normally I only watch 'horror' movies (though it defies that categorisation) under extreme protest, though Salem's Lot, to which this film nods in at least one memorable scene, was once a favourite film, but most recently, the closest I have been to vampires is watching the last few series of Angel, the friendly vampire-with-a-soul who crusades against evil, which is all rather outlandish and amusing TV, in a Joss Whedon kind of way. But when Cornelius suggested this film, I looked up Peter Bradshaw's review, whose critical opinion I utterly trust, which made me think it could be interesting - not quite Rainbow Magic, but certainly another way of taking my mind off my work...! In the end, we flipped a coin (when was the last time I did that?!) and Let the Right One In was the winner.

And I loved it! It's an achingly beautiful film - set in snowy urban Sweden, with a quiet but beautiful soundtrack, not much dialogue, and quite minimalist when it comes. I liked the fact that the subtitles were quite minimalist as well - there was a lot more Swedish on screen, in newspaper cuttings, and notes between the young protagonists, than was translated, and I thought that was a sympathetic way of respecting the lack of spoken word. I won't tell you the story - read the review, if you want to know, it won't give too much away. If you're worried like I was about the horror movie aspect, don't be - it is gruesome in parts, but won't wake you up with nightmares (I hope!!) But it's hauntingly memorable, and as other reviews have said, it's a "major addition to the vampire genre", and "infinitely superior to Twilight" - which I have not seen, and quite frankly don't wish to after this! Though my heart sank to read just now that a "wholly unnecessary" American remake is in pre-production... Why do they do this?? Is it that taxing to read subtitles? We'd gone to an afternoon showing, and it was odd to re-emerge into daylight - everything seemed slightly disturbed, not quite normal. Cornelius seemed quite shaken, so I think we'll be going to see State of Play next time!

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It being May, though, it must be time to share the picture from our home-made calendar! This does not cease to bring joy by the way - it was an excellent thing to do!

Iglesia de San Antonio, Aranjuez © KR

This is another photo from our trip to Spain last May - nearly a year ago, which is unbelievable... K joined me in Madrid halfway through my month's trip, and the next day I made him go to a palace, which was hardly a fun holiday activity for him, considering he works in one - and one that has the best preserved set of royal rooms in the Baroque style in Europe, apparently, so dragging him to Aranjuez, a day-trip outside the capital, which was the Spanish monarchy's summer palace, remodelled in the 18th century to be fashionably Baroque, was, in retrospect, a bit cruel. But he seemed to love it - he went into photography mode, and took a few thousand images that day I think! No pictures allowed inside the palace, though, which was annoying since my reason for wanting to go there was to see the 'Moorish' smoking room that had been added to the royal apartments by Isabel II in 1850, commissioned from Rafael Contreras, the man who was working for her as restorer at the Alhambra palace, and was built and decorated entirely in the Alhambra style. It was pretty fantastic and worth putting up with the Baroque enfilade of rooms, and the truly monstrous chinoiserie porcelain room. We also had some very fine strawberries and cream, which is the thing to do at Aranjuez apparently.

Anyway we had some time to kill before taking the train back to Madrid, and had a wander around the very small town, which was all remodelled at the same time as the palace. K got particularly carried away taking photos of this church and a barrack block next to it. I am used to having to wait for him to take his photos and catch me up, but usually there are nice things to look at, so it doesn't matter, but I had had my fill of Baroque for one day, and I think it was starting to rain. Anyway I had to phone him to see where he was! But now he has seen the Baroque exhibition, and like me, was frustrated about the lack of a definition of what the Baroque style actually is, according to K, this church is typical Baroque because it's bendy. So there you go.

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Today is the 30th anniversary of Margaret Thatcher coming to power as the first female prime minister. I'm not celebrating, and I always think it's slightly debatable how much of a woman she was, but it is still remarkable, when you look around at our international politicians and see how few of them are women. When we had the G20 summit in town a few weeks ago, there was all this coverage about the meal that Jamie Oliver was cooking for the presidential spouses, and which talented British women were going to be invited, and who was going to sit next to who... And I just thought, hey, does Angela Merkel's husband come to that dinner? Turns out he stayed behind in Berlin!! Why? Because it's too humiliating for him to be one man among all those women at the patronising spousal dinner?? One coup for women I am happy to celebrate in the news this week is the appointment of our first ever female Poet Laureate - not that I am sure this is an institution I entirely support, though it sounds like Carol Ann Duffy has a strong sense of the good that poetry can bring to peoples' lives and of the good she can do in this role. So good luck to her. And I also appreciate the way that the discussion this week has not been all about her sexuality - which it certainly would have been in Thatcher's day.

Sunday, 15 February 2009

Happy 200th Birthday Mr Jones!


Today we did something rather unusual. We went to church. While that in itself is pretty unusual (though the third time I have been to church in as many months!), that wasn't the half of it. Today was the 200th anniversary of the birth of Owen Jones (1809-1874), the Welsh architect and designer whose theories of design and polychromy were fundamentally inspired by his early experience of the Alhambra Palace in Granada, where he lived and studied for six months in 1834, and whose magnificent publications of its buildings during the 1840s were the first major work to employ the newly invented technology of chromolithography, in order to represent his theories of the use of primary colours in the original decorative scheme of the Islamic palaces. These books were also almost single-handedly responsible for the Victorian discovery of the Alhambra and of 'Moorish' design, and were perpetuated through all his later work, at the Crystal Palaces at Hyde Park (for the Great Exhibition of 1851) and at Sydenham, where he designed and erected an 'Alhambra Court' - a 3D version of the Alhambra palaces in microcosm, in the heart of south London, in the Grammar of Ornament, which became an immensely popular and widely-used design textbook, and in the foundation of what became the South Kensington Museum, now the Victoria and Albert Museum, where I have the great privilege to be a curator. Jones is very current in our thoughts these days, since the 19th-century revival of Islamic Spain and dissemination of its designs, primarily through his work, will form the fourth chapter of the book I will soon be writing, and my colleague Abraham Thomas has curated a display which will open at the V&A on 28th March (until late November), in time to celebrate his bicentenary. During the second half of this year, we will be working together on turning this display into a fully-fledged touring exhibition. More on that anon, no doubt.

So Abraham had the bright idea, because Owen Jones's birthday fell on a Sunday - today - to attend the service at Christ Church in Streatham, which was designed and built in the Byzantine style (though with Islamic inflections) by Jones's brother-in-law and protégé, James Wild, in 1841 - the V&A has several of Wild's original designs in the collection, for instance here. Jones conceived the interior design, of which all that survives is the painting in the apse ceiling, and the decoration of the capitals.


This church is basically at the end of our street - it's a 20-minute walk up Brixton Hill. I had tried to visit it before, during one of the two-week breaks I like to take from work in the summer, in order to explore London - but I had come at a time when the church was closed and there was no getting in. I had made a note of the vicar, Father Tricklebank's (what a fantastic name!), contact details, and Abraham got in touch and let him know that we were coming. There was quite a contingent of us: myself and K; Abraham and his girlfriend; Kathryn who did her PhD on Owen Jones and is our fount of all knowledge; Sonia who is working at the V&A on Indian textiles and has discovered interesting links to Owen Jones through the history of the Museum's collecting (which you can read more about in her recent article, here); and Charles, who was one of our curators of prints and drawings until his retirement a few years ago, and another expert in the 19th century.

Father Tricklebank put us on the order of service, and even mentioned us in his address - he had been doing a spot of reading, in preparation for our visit, and brought attention to the fact that Byzantine and Islamic styles had been employed in the design and decoration of the church, and that this regard for other faiths and cultures was reflected in the congregation of the church today, which is largely African and Afro-Caribbean. It was gratifying to see so many people in the congregation - as Charles commented, about as many as you might expect on a slack Sunday in 1846... There was also a baptism on the order of service, of a very sweet Nigerian baby who was being christened with the fantastic name of Chisom Pureheart Obiesie. It made you think of Arthurian legends, and the setting was right for that! This was the first baptism I had ever been to. It was very high church - I think they are Anglo-Catholics, and I must say I found it difficult to distinguish between this and the memorial service we attended for Ralph Pinder-Wilson last month at the high Catholic church of Our Lady of Victories. K went up to take Communion - I am never sure if he does this out of genuine residual faith, or if it is because of his academic interest in the working of churches. Probably a bit of both.

After the service, they welcomed us to look around and take pictures, and go up to the gallery, to get a closer look at the capitals and organ (which had Egyptian-style papyrus designs on its pipes). Several members of the congregation came up to ask us more about Owen Jones and the history of the church. The layout of the church reminded me of the synagogue we had visited during Open House weekend last September, the New West End Synagogue in Bayswater, also High Victorian and decorated internally in a neo-Byzantine style, but from the 1870s - indicating how influential, but also avant-garde, Wild's church at Streatham had been.

After milling and looking for half an hour or so, we went off to lunch at Brazas on Tulse Hill, which was really an excuse for K and I to try a relatively recently-opened local restaurant which several of our neighbours have raved to us about. It was excellent - very much a place to be returned to many times. This even led to talk of celebrating Owen Jones's birthday every year, or founding a gastronomic society in his honour!

After a somewhat lazy lunch, the others, very commitedly, set off to travel to Kensal Green Cemetery, one of London's great Victorian cemeteries, where Owen Jones and other Victorian worthies of his generation are buried. We wandered gently home, having taken absolutely no form of transport other than our feet all day. How wonderful!

This week in 1809 was a vintage week for births - Charles Darwin and Abraham Lincoln were both born on Wednesday! Some other names came up over lunch, but the only one I can remember now is Edgar Allen Poe. Sadly Owen Jones is not quite so renowned these days, and is not getting any of the press coverage that Darwin is getting (the BBC are doing a whole season on him!). We're doing our bit though, in our own little way. Happy Birthday Mr Jones!