Showing posts with label Easter. Show all posts
Showing posts with label Easter. Show all posts

Sunday, 8 April 2012

Happy Easter!

I wish I could take the credit for these beauties! But K has discovered baking, and has taken to it rather successfully - a wonderful stem ginger cake, a dark chocolate and beetroot cake, some soda bread, and now a batch of hot cross buns in time for Easter! Delicious! Here they are in progress...


Sorry for the deeper than usual radio silence. This year, though barely 3 months old, has already been horribly busy. The recent travelling has a lot to do with it, as well as preparing for those trips. After Spain, I had a couple of days to turn myself around and go to New York - another place I spent time in 2008, when I was there for 6 weeks on a curatorial exchange at the Met, which was fabulous. I was back this time to take our loans to an exhibition on Byzantium & Islam, and to finally see the Met's recently opened not-Islamic galleries - wonderful, because of the magnificent collection of masterpieces they house, but also very elegantly conceived and designed so you don't feel overwhelmed by the fact it is actually 1000 objects and 15 galleries. I also had lots of fun catching up with people, including some friends unexpectedly in town.

Then after returning from that trip I had another couple of days to get ready for the Gulf - Doha, Sharjah and Dubai. I was a bit trepidatious about this trip, partly I think because I was tired already from being constantly on the road, but also because I didn't think I would enjoy the Gulf very much, having previously only been to Qatar for a few days back in, amazingly, 2004, when it seemed little more than a building site with no heart and soul. Perhaps because my expectations of this trip were so low, I actually had a really good time.

I was in Doha for 5 days as a visiting scholar at the Museum of Islamic Art - again, the first time I had seen the museum since it opened in 2008 (when I was in Damascus, my other big trip that year) and not only is the building absolutely stunning, it is full of gorgeous things, and much happier curators.


Much more has been built in Doha in the intervening years since I was there so there are other things to go and see - such as Mathaf, the lovely Arab Museum of Modern Art, which had a fantastic Cai Guo-Qiang exhibition on, the Chinese artist who does such amazing work with gunpowder and fireworks. I was also there at the same time they were opening the Gifts of the Sultan exhibition, so I coincided with lots of friends and colleagues, some I hadn't seen for years, others new and happy acquaintances. I even managed to get some good work done - starting to think about the upcoming conference paper on oliphants, on which see below....

View of the skyscrapers of the West Bay, from the Museum of Islamic Art, Doha

Next stop was Sharjah for the opening of my own exhibition - the Museum of Islamic Civilisation is the next venue for Owen Jones, and it looks really lovely there, not least because they have so much space!


It was an intense couple of days (not helped by the fact that stupidly I missed my flight from Doha - I won't linger on my own idiocy, but suffice to say it will be a long time before I become blasée again about departure times...). The high point was probably having to give the Sultan of Sharjah a guided tour of the exhibition, and then making the front page of Al-Khaleej the next day!

Then, to 'relax' at the end, I joined my colleagues at Art Dubai, really to see what it was like. Since I didn't have any responsibilities at this point or any meetings to organise, I could just wander round the art fair and the participating galleries in various parts of the city, and really get a feel for what the contemporary Middle Eastern art market is like. Mad, basically. But I loved the 'fringe' art festival in the historic Bastakiyya district - alongside the creek, where old Dubai grew up, is a quarter where houses from the early 20th century have been carefully preserved and during Art Dubai this old quarter gets taken over by artists and installations, with music and performances taking place in some of the larger courtyards. I was there early evening on a Friday, so it was weekend time and full of families relaxing, a really lovely vibe.

This courtyard had a sound installation which consisted of someone reading George Orwell's 1984 with qawwali music playing from some of the speakers. I sat down on one of the beanbags and listened for a good 15 minutes - it made me think the time had definitely come to re-read 1984.

The traditional architecture of the Gulf is actually rather beautiful - courtyard houses built, remarkably, of coral stone (well, it is certainly locally available), with a lot of influences from the other side of the Gulf, such as these lovely wind-towers, which are a traditional feature of many Iranian buildings as well.


Since getting back (and to some extent, while away) every 'spare' waking hour has been necessarily devoted to the Festschrift volume I am editing - we're at proof checking stage and everything needs to be turned around really fast, and with 30 essays it takes a while. And now I am preparing my next conference paper - I have decided to venture into the thorny territory that is oliphants, though to focus on function rather than style, so it has been quite pleasant to read 'dissertations' on horns of tenure written by late 18th century Antiquarians. And the best thing is that this conference finally gets me to Sicily, which I have been studying long distance since I started my MA in Islamic art... So in a week's time I will be in Palermo, and after the conference K will join me and we will have a week of actual holiday! It will also be good to spend some time together, after I have been away so much recently.

And nice just to have a bit of down time with the long Easter bank holiday weekend. We have just celebrated our first anniversary in our new flat - amazing how that time has flown by! On Easter Sunday last year, we were at Persepolis! It still feels like we have spent more time away from the flat than we have in it - we still haven't properly put up any pictures in our long 'picture gallery'-like hall. We seem to have new problems with the bathroom - a leak into downstairs' bathroom - which slightly makes it feel like this patching up the flat will be never-ending. I suppose that is the difference when you're a home-owner.

But we're feeling more at home too - this weekend, we're cat-sitting for one of our neighbours. I have also been trying to take a bit of time to tend to my window boxes - I have planted some pansies, and finally replanted our money plant (jade). This we inherited from Bev & James when they moved to Aus all those years ago! It has flourished (which I like to think was commensurate with our improved economic circumstances, getting a mortgage an' all that) but it really didn't like the move last year. That, or it couldn't cope with the global financial meltdown. But there seem to be green shoots, just in time for spring.

Monday, 5 April 2010

Happy Easter!

Nick sent this to us as an Easter greeting a couple of years ago - it always makes K giggle like a little boy!

Thank goodness for the Easter bank holiday weekend - four days of enforced time off work! It has been a festival of cooking and eating and an orgy of relaxing...

We kicked off the proceedings by hosting a dinner for eight here on Thursday evening, in honour of one of K's colleagues whose contract has come to an end. We started cooking for that on Wednesday night, to fit all the preparations around work, but somehow I still managed to get chained to the kitchen for two hours on the night making salads... The first recipes we have tried from our new cookbook purchase, Ottolenghi, but how yummy and worth the wait! One with broad beans and radishes, another with fennel and feta and sumac, and lots of lemon juice and olive oil in both. A lovely evening, but one which reminded us that it is difficult to entertain eight comfortably in our flat!

On Good Friday, K went into work - it was the first day that the Tudor wine fountain he has been involved with recreating was going to be up and running and serving wine, and he wanted to be around to make sure all went smoothly. I went in to meet him for lunch, then to be introduced in person to the wine fountain - which is just amazing, but more on that anon! I gained the distinction of being the first person ever to pay for a glass of wine from the fountain! I also went round some of the parts of the palace they had made changes to since the last time I had been - and went round the Georgian apartments, which for some reason I had never visited before but really loved, in large part because they were the Hampton Court home of Caroline of Ansbach, wife of George II, who is one of the characters in the second Neal Stephenson book, The Confusion, which I have just finished reading and which in all honesty has made me far more interested in the 18th century than I have ever been! On the train there, I was reading about the celebrations of her 18th birthday, and here I had jumped forward - or back - in time to the apartments she lived in at the end of her life!

Home long before K to prepare some of the food for our Easter Sunday lunch party - braised broad beans in tomatoes and herbs, the first time I had cooked beans from dried, and I think the only advantage of this was that they held together better during the long cooking process because in the end I am not sure the dish was all that tasty! I also made lemony biscuits and blackberry ice cream for dessert, using the blackberries we picked on my birthday last year, which have been taking up space in the freezer since then - along with a blackberry and apple pie filling, and quite a few raspberries as I rediscovered to my interest...

On Saturday we journeyed out to Little Chalfont - via the urban wasteland of Watford, due to multiple engineering works on the railways - for the interment of K's grandfather Robert's ashes, in the churchyard in Chenies where he now rests with Betty, his wife of over 60 years. We had a nice family lunch in the pub nearby, then back to the flat for the last time, to choose any books and CDs we wanted to keep, and help K's parents and uncle load furniture onto the hire van, to clean out cupboards and sort what remains into boxes. The sale should be completed by the end of April - fingers crossed - but the flat should be empty by the end of this week. It suddenly struck K as we were leaving that he would never go back there.

Home to marinade the lamb for Easter Sunday lunch and mix up another batch of blackberry ice cream.

On Sunday morning we had to prepare the rest of the food for Sunday lunch but also receive K's father and uncle and the hire van full of furniture K was inheriting from his grandparents, which he had loaded up the day before. This included two bookcases - one of which was made by his great grandfather who was a cabinet maker - and to make room for these, K had to take everything off the two (smaller) bookcases we already had ... so at one point our sitting room was just a pile of books, and 6 lunch guests due in less than half an hour...! But amazingly everything got delivered, fitted into place and books shoved back into them at random, and by the time the doorbell rang for the first guest, it was as if nothing had ever been out of place!

They're rather beautiful pieces of furniture but they give the flat a strong feeling of living in the past that I haven't quite got used to yet. They're the kind of cabinet that might have furnished this flat when it was originally built in the 1930s.




And so to lunch. We followed a Greek-inspired menu by chef Maria Elia, from the food magazine we subscribe to, Olive. Over the years it has come to seem very repetitive and there is far too much Gordon Ramsay in it for my liking, but in every issue there are always 2 or 3, sometimes more, new recipes which we try, and which keep us experimenting with food, and for want of a good substitute, we keep buying it.

This lunch menu started with halloumi and a nice salad made with fennel, celery, olives and parsley; and in addition to the braised broad beans, was accompanied by lemon-roasted potatoes with capers, and wilted spinach with pine nuts and a dressing made with sultanas, herbs and red wine vinegar. But of course the star of the feast was the paper-wrapped leg of lamb that we had marinated overnight with garlic and plentiful herbs and spices and more lemon juice - quite a number of lemons lost their lives to put our lunch on the table! This was the result:

served up on a lovely mid-19th century platter which I inherited from my grandmother, and enjoyed by all - but especially by K and I for whom this was the first meat to pass our lips in 6 weeks!! It was gorgeous!!

A long lingering Sunday lunch with Lindsay & Russell and Wanda & Az, that went on until about quarter to 8, which is how we like our Sunday lunches, and all the better for not having to go to work today...

And so to Easter Monday. We finally got a lie-in this morning - K shocked me into wakefulness by looking at the clock and saying it was 1.15!! Which fortunately it wasn't - the pillow was obscuring the first 1! A lazy breakfast - I am now reading the 3rd of the Neal Stephenson books, The System of the World, which K is jealous about because he hasn't read this one yet! - and then we took ourselves off to the Ritzy for some mindless entertainment in the form of Clash of the Titans, which was great! I love the original film and of course this was nothing like that, but there's nothing like a bit of Greek mythology to get you going!

It was shown in 3D, as everything seems to be these days - the Ritzy had obviously run out of 3s for the board out front where they still put up all the film titles of what's on that week in the traditional way, which I love, and so they were advertising Clash of the Titans in 4D! What would that be?? You are actually in the movie I suppose! But I like the idea of it because it always reminds me of Victorian stereoscope images - the 3D glasses you have to put on are literally the modern equivalent of the stereoscope glasses you used to have to use. Though the technology for creating these images in film-form has obviously greatly advanced, somehow this little bit of lo-fi kit is such a pleasing link to the past...

K is now sorting books, CDs and DVDs, trying to fit everything onto the new bookcases, which have smaller and narrower shelves, and integrating the not-very-restrained pile of books and CDs we brought from his grandfather's. If we end up moving to this new flat, chances are that none of this is going to fit...

Saturday, 25 April 2009

Radio Silence

Well, howdy! It's been a while. Sorry for the radio silence - I have been wrangling with Chapter 3, and have been avoiding email, and pretty much anything that is not in some way influenced by the art of Islamic Spain. Apart from Henry VIII - though he was influenced, but this is not the time or place for that discussion. All the big Henry VIII launches have been happening in the last few weeks - the opening on Wednesday evening at the British Library, of their exhibition Man and Monarch, was on the actual 500th anniversary of Henry officially assuming the throne - marked by K and his fellow Tudor historians all wryly commiserating each other on the death of Henry VII... I'll have to defer talking about that exhibition until I've been back to look at it properly.

The previous week was the party to launch all K's work at Hampton Court - details here. It all looks fantastic - they have re-presented the Tudor palaces, including hanging the 'Haunted Gallery' (a long corridor which is used as a paintings gallery, hung with fabulous portraits from the Royal Collection) with rich fabrics, as it would have been in the Tudor period, and bringing together in Henry's council chamber (never before open to the public!) a small exhibition of contemporary portraits of Henry's wives (the first time that's ever been done!) and daughters, together with an object of significance from their lives - and much much more ... The conceit is that the palace is 'dressed' for the wedding of Henry and Katherine Parr ("survived"), which was held at Hampton Court in 1543, and you are the courtiers in attendance: there are staged events throughout the day, when you can meet help the bride and groom prepare for the wedding, or be the first to congratulate them after the ceremony... They have hired three actors to rotate playing Henry every day for a year, and I must say it really brings everything to life, when you're just wandering around the palace and then everything stops to make way for the King ... You get caught up in the scenario and really believe it's him!


I could go on and on - but you'll just have to go along and see for yourself! It is certainly enough to fill a fun day out, which has been one of the main purposes. Hampton Court is just that little bit too far away (though it is really easy to get to - when the trains are running!) for people to automatically think of going there, but amazingly, they had 16,000 visitors over the Easter bank holiday weekend!! We were some of them - K had to go in anyway, so we arranged to go with friends on Easter Sunday. The range of projects that K was involved in for this was so wide that I really had not that much idea what he was working on, as it was too much to talk about after he'd been hard at it at work all day, so that was the first time I really got the chance to find out, and to see it all in action, and people enjoying themselves. Visitors are encouraged to dress for court, by putting on these fine velvet(een) robes - here's K and our friend Az pretending to be Holbein's Ambassadors!


Not that K can relax now it's all open - he's been involved in a whirl of media coverage, including his spot on Today a few weeks back, and the Time Team special on Tudor palaces on Easter Monday! There's also a documentary going around on the History channel, but no-one we know has Sky, so we have to wait for the DVD to watch that!! And this week he has had to give two study day papers, so ended up working through the night on Monday to get the first one written...

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As a result, we're desperately planning to 'get away from it all' and have a holiday this year, so we're planning a retreat to the Outer Hebrides (literally) for mid-July - the earliest 'window' in both our schedules... But we did make sure to take Easter Monday off, and had an absolutely wonderful day out at Bexhill. I wanted to go to the seaside and see some nice architecture, so we decided on Bexhill because of the De La Warr Pavilion, built in 1935, the UK's first public building to be constructed in the Modernist style.


You just can't take a bad photo of it. There was also something truly amazing about the contrasting colours - of the sea and the sky and the pavilion, and the lawn out front which seemed impossibly green. This picture doesn't do it justice.

We got up reasonably early (considering how tired we were!) and managed to get a 9.30 train, and somehow I'd been organised enough to prepare a thermos of coffee and some hot cross buns for breakfast on the train. We read our books and dozed for the two-hour journey (already sounding good, eh?) Beautiful weather had been forecast for the Easter weekend, which had so far failed to materialise, but the clouds burned off and the sun came out as we sat on a perfectly-located bench overlooking the sea, with an easy view backwards to the pavilion, eating what I am reliably informed were the best fish-and-chips on the South Coast (from Louis's Fish Bar on Sea Road - go there)


We literally spent every last penny we had on this feast and it was worth every one of them!!

Quite a number of boats came out as well - it turned into a gorgeously beautiful day.


The thing was, we had absolutely no mental energy left, so it was the perfect day out, because it was all just so beautiful to look at and soak up, and we pretty much just wandered and sat and gazed all day, without having anything at all to say.

This picture sums up my mental state that day!

We sat on the shingle and K found it endlessly rewarding to throw stones at the sea. He took this picture while lying on the beach!


The added bonus was that while I had known pretty much what to expect from the Pavilion, I was totally unprepared for the gorgeous Victorian Orientalist sea-front cottages - we're seriously considering moving there!


Here are some gratuitous gorgeous views of Bexhill and the Pavilion (it's an exhibition venue, but we had absolutely no difficulty in avoiding looking at any of the art - tea on the terrace was much more the order of the day).

View from the terrace


Up the stairwell © KR

Down the stairwell © KR
I love the colours - though they seem to be slightly flattened here

A meditative view out to sea...

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So it turns out I have an inflamed ulnar. This is compressing the nerves which run down the left side of my body and giving me numbness and tingling sensations in my arm and leg - and making it not so easy to type for long stretches. At least it is that and not some other more worrying cause of numbness and tingling down one side ... it induced some anxiety for several days until I decided to be grown-up and go and see the doctor yesterday. I have to take ibuprofen for two weeks to help the swelling go down and hopefully the symptoms will subside. It is probably caused by how I tuck my arm under my head while sleeping, aggravated by the intensive typing I'm doing while I write my book, and by cycling - apparently this condition is quite common in cyclists, and is also known as "handlebar palsy"!!! What is it with me and oddly-named nervous inflammations?? I had plantar fasciitis in my heel last year!!

I am also under doctor's orders to relax this weekend! Which fortunately coincides with that slight fallow period between finishing one chapter and beginning the planning process of the next - which will also be the last!! (apart from the Introduction) Chapter 4 is about the 19th-century rediscovery of Spain's Islamic past and the revival of 'Moorish' (if you must, though I don't like to) styles in art and architecture... So I plan to do some gentle reading about that today, to get me in the mood - and then my sister is coming over tonight (hurrah!) and we're going to see In the Loop at the Ritzy - the first film we've been to see since Frost/Nixon (oh dear!) ... And tomorrow we're going to plan our holiday, over brunch. Doctor's orders.

Tuesday, 7 April 2009

Where's Obama today?

Turns out he's just arrived in Baghdad!! He's really packing it in on this round-the-world trip! There's a headline in K's Economist (April 4th-10th, p. 59) that says, "If atmospherics were all that mattered, the American president would be well on the way to curing the world's ills". It was good to have him in London, and I loved the fact that he gave the Queen an iPod!! There are some amusing track suggestions for her here. Michelle seemed to go down a storm at the inner London secondary school she visited - we heard some very eloquent teenage girls talking on the radio about how her visit had inspired them. (Talking of radio, did you catch K on Today??) I did not go on any protests, and to be quite honest, I really did not see the point of them. "Jobs, Justice and Climate"? Plus the usual add-ons that you get at protests like that. I tried it over Iraq - it didn't work. Its absolutely shocking, though, about that guy who died of a heart attack, on his way home - especially since it seems like the heart attack was set off by police assault.

Call me shallow, but I was frankly more interested in watching the footage of the Obamas meeting the Sarkozys at Strasbourg - Nicolas looked like a cartoon character next to Barack!! And what was Sarkozy doing with Obama's tie?? There was some fascination with the "sartorial battle" between Carla and Michelle ("two fashion titans"!), which is always amusing to read - though I am not sure I approve that you can now post comments at the end of stories on the Guardian website. I find myself reading them almost against my will, in a sort of morbid fascination, though very rarely do you get anything actually worth paying attention to - and how is it that people have time to participate in this kind of online conversation, sometimes several times??

Anyway, book update. I have finished Chapter 2, and sent that off to my readers, but I am having some difficulty getting going with writing Chapter 3. I have decided it's PMT - well, I've got to have something to blame. It also feels like a holiday - all the schools have broken up, and many of my colleagues have taken the week off, so there is a holiday air which is rather effecting. I also feel it's ok to have a little break between chapters - but there's just no time for that, I keep having to tell myself.

I spent this morning in the Baroque exhibition - classic work-avoidance activity. Now, I really do not like baroque as an artistic style - but I liked this exhibition. It is really well laid out, with a simple but effective design - like the section about secular spaces (ie. the palace) being laid out like an enfilade of rooms in a baroque palace, culminating in the king's bedchamber - as you would if you were a courtier visiting. It feels quite empty - though there is not a shortage of objects, though some of them are BIG, but they get a chance to breathe, and so do you - I always find if you're in an original baroque space it is just too overwrought and overwhelming that you just can't appreciate its individual elements, whereas you can here.

The one let-down was that nowhere does it actually tell you what baroque is, or how it develops, or why it spreads as widely as it did - why did it appeal so much? They imply it was through the patronage of the Catholic church and the absolute monarchs of the 17th century - though it doesn't ever really say what they were trying to use this style to express, apart from wealth, and power, which is self-evident. It was also slightly disappointing that - though much is made of this being the "first global style" (because it is the first style to travel out of Europe, though I am not sure this is necessarily something to be proud of, since it's imposed on colonies by European imperialists) this was only represented in a rather tokenistic way, with very few objects (though one of them was, admittedly, again, very large) and just there as "examples", rather than objects in themselves, if you see what I mean.

The theatre section was great - they had found this 17th-century castle theatre in the Czech Republic, which has retained its original stage set and furnishings, and it is obviously still used, since there was a short film of performances underway, and the guys under the stage turning pulleys to change the set. Fascinating. Opera was invented at this time, and much was made about the "total work of art", so that a baroque setting was multi-sensory, and included musical as well as visual stimulation. I really liked the use of music in the spaces, though at certain points these clashed with each other, but I think this experience would have been rather lost on you had you been going round with the audio guide (and you know how I feel about those...)

Anyway I think it has opened this week because of Easter - being, perhaps, the most Baroque of church rituals. And nowhere is it more Baroque than Semana Santa in Seville - of which there were some more film clips. In all my years of visiting Spain, I have never witnessed this, and is something I would really love to do sometime - though I am not sure I could get past been terrified by the penitents in their pointed KKK-inspiring hoods... Some seasonal photos I have enjoyed from the Guardian website (is it obvious which newspaper I read?):


Barbie and Ken go to Mass!